As extension of an earlier recording, Sublime Chants, this new collection includes Gregorian, Ambrosian, Gallican, Mozarabic, and Sarum chant from several centuries, realized in equalist, modal and proportional rhythms. Other devices utilised include include organum, alternatim, drones, faux-bourdon, and tone clusters, and the inclusion of recorders, handbells, and small percussion to provide further variation. These devices extend somewhat beyond historica; plainchant, recognising its spirituality and centering capacity in our own time.